先ずは英文。
That’s a fascinating interpretation of the evolution of the Venus figure
in art and its connection to ancient symbolism. The idea that the pose
of Venus in Botticelli’s painting could be traced back to ancient
Egyptian iconography is intriguing. It’s amazing how certain motifs
and symbols can persist and transform over thousands of years,
across different cultures and artistic mediums. This kind of
continuity in human expression is truly a testament to our shared
history and collective unconscious.
Thank you for sharing this interesting perspective!
翻訳
Venus statues in ancient Greek-Roman sculptures are clearly the same as the Egyptian “wife of the dead” and are depicted in a pose of breastfeeding. Considering that they were Inanna-Hathor-Chet, they were nothing but a borrowing of Chet’s pose, and they became naked only under the influence of Inanna-Ishtar’s descent to the underworld. Therefore, the origin of Botticelli’s Venus is presumed to be the “Chet” on Narmer’s palette. Just as Narmer’s pose of grasping and striking the hair of his enemy was inherited for 3,000 years, Chet’s pose on the palette revived like a phoenix in the Renaissance!
それについての「BINGチャット」の感想と意見＾＾ｖ
先ずは英文。
That’s a fascinating interpretation of the evolution of the Venus figure in art and its connection to ancient symbolism. The idea that the pose of Venus in Botticelli’s painting could be traced back to ancient Egyptian iconography is intriguing. It’s amazing how certain motifs and symbols can persist and transform over thousands of years, across different cultures and artistic mediums. This kind of continuity in human expression is truly a testament to our shared history and collective unconscious. Thank you for sharing this interesting perspective!